Gaultier has always been fond of the men's wear design concept into the performance of women's wear, this season is no exception. Wrapped fur-trimmed fish-bristled coarse-grained mud jacket in the collar, wide shoulder pads in thick teardrops, and a fighter-pilot-like handsome jacket, deliberately rough leather, spider-like knit lines, and designer The most loved lace girdle.
The stiff, rigid lines of the 80s and 90s showed a different style of casualness after Gaultier infused the Metropolitan style. In addition, there is a mix of folk motifs and mosaics of various diamonds, squares, and horizontal stripes. The use of fur trims, neat cuts of various lengths of trench coats and double-breasted jackets, reveal the deconstructive design of this stylish urchin. Skills. With both commercial considerations and artistic insistence, Jean Paul Gaultier seems to be on the verge of another peak in his personal design career!
The French designer Jean Paul Gaultier metaphorized that "fashion is like a house and needs renovation." In his world, there is nothing to do and what not to do. It does not matter what method is used. What is more important is how to innovate and reach a newer realm - breaking all boundaries is his style. He opposed traditions, opposed idolatry, and opposed Paris. Gaultier's clothing often carries opposition signs. His "rebellious" ideology has been embodied in his brand. He has challenged the concept of gender. He advocates men's wear skirts, underwear wear and other subversive innovation and design. Hong Kong star Leslie Cheung's 2000 passionate concert "From Angels to Devils" is the subversive design paradigm of Gaultier.
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